Meet Mr Mistoffelees, the magical cat who can perform an astonishing array of tricks; Old Deuteronomy, the most placid cat in his village; the Rum Tum Tugger, a most contrary and difficult cat; and of course Macavity, the celebrated master criminal.

A delight from the first minute to the last, ‘Old Possum’s Book of Practical Cats’ deserves a place in every feline-loving home.

From the T. S. Eliot Prize-winning author of Sonnets for Albert comes a dextrous and versatile new collection spanning the emotional spectrum of unabashed joy and crippling grief

With musicality and verve, beloved poet and musician Anthony Joseph undertakes a bold new work, excavating the complex nature of feeling. Across London, New York, Trinidad and beyond, whether a funeral in New Cross or a house party in Mount Lambert, Joseph brings heart, soul and verbal ingenuity to the act of unifying life's beautiful fragments.

'Brave, graceful and absolutely vital – Mort shoulders away the old trope of the stepmother and replaces her with a host of humane women' SARAH HALL, author of Helm

When a new relationship casts poet Helen Mort in the role of stepmother, she embarks on a personal quest for understanding; moving across verse and personal essay, from fairytale to modern blended family.

Turning a bold and inventive gaze on this neglected dimension of female experience, these are candid dispatches from the shifting terrain of the modern family. As playful as it is moving, STEPMOTHER radiates Mort’s signature empathetic warmth, but with the bite of truth.

Mort interleaves ravishing fragments of lyric essay with gothic flights into verse that draw us deep into the woods of upon-a-time, and back, changed, into the now. Groundbreaking and transformative, tender and uncompromising, STEPMOTHER has much to teach us about female power and the fear it still provokes, our openness to change, and the surprising shapes love can take.

'I was enchanted by her blend of generous lyric and furious cultural critique. A spell for seeing differently’ CLARE POLLARD, author of THE MODERN FAIRIES

Our almost-instinct almost true:
What will survive of us is love.

In lines perfectly constructed and as beautiful as they are plain-spoken, Philip Larkin found a way of delineating our most difficult emotions – giving them back to us in images and formulations that help us both comprehend and contain ourselves. His is a fine-tuning that turns 'true and kind' more truthfully into 'not untrue and not unkind.' These are poems to live with and through, from the trenchant assertion of 'They fuck you up. . .', to the transcendent image-making of 'High Windows':

Rather than words comes the thought of high windows:
The sun-comprehending glass,
And beyond it, the deep blue air, that shows
Nothing, and is nowhere, and is endless.

The closing sequence of The Worrying Rose is a poetic interaction with the work and life story of Ada Lovelace – mathematician and writer and daughter of the poet Lord Byron. Here are poems about maths, horse-riding, skating, and about Lovelace’s fascination with light, rainbows, and the human nervous system. Amongst these are prose ‘riddles’, addressing the various mysterious illnesses that afflicted Lovelace in her short life.

The Worrying Rose exemplifies Katharine Towers’ extraordinary musical intelligence, and attests to an almost spiritual attentiveness to the natural world.

‘Katharine Towers is one of the most original and gifted poets now writing. Her brilliant book is something no other could do, “an outburst of words” so old and English and fresh’ – Conor O’Callaghan