‘This riveting, eye-opening investigation of a 70-year-old murder mystery reads like a whodunit … A true crime must-read’ Dean Jobb, author of The Case of the Murderous Dr. Cream

‘As much social history as it is gripping true crime’ Jeremy Craddock, author of The Jigsaw Murders

‘A meticulously researched re-examination’ Caitlin Davies, author of Private Inquiries: The Secret History of Female Sleuths

1950s France. A British establishment figure. A shocking crime. A miscarriage of justice. The search for truth.

In 1952, in a peaceful corner of Provence, a farmer’s son stumbled upon a terrible scene. Three bodies: a husband and wife shot dead, their ten-year-old daughter savagely beaten to death. They were all British. So begins one of the most notorious murder cases in French history.

Sir Jack Drummond was a senior advisor to the British government, a household name who was respected and admired. His fame made the case a cause celebre in France and resulted in the swift conviction of a local farmer, but questions about Drummond’s life and death remain unanswered.

In this bold new investigation, Stephanie Matthews and Daniel Smith strip away the prejudice and propaganda to reveal a grave miscarriage of justice. A light is shone on Drummond’s secret life in the shadows of the Cold War, painting a portrait of an enigmatic man who may not have been the innocent holidaymaker he appeared to be, and recasting one of the twentieth century’s most notorious murders in a fascinating and important new light.

The strangely enduring and occasionally fractious friendship which developed between the famously outspoken historian Ramachandra Guha and his reticent editor Rukun Advani is the subject of this quite eccentric and thoroughly compelling literary memoir.

It started in Delhi in the early 1980s, when Guha was an unpublished PhD scholar, and Advani a greenhorn editor with Oxford University Press. It blossomed through the 1990s, when Guha grew into a pioneering historian of the environment and of cricket, while also writing his pathbreaking biography of Verrier Elwin. Over these years Advani was Guha’s most constant confidant, his most reliable reader. He encouraged him to craft and refine the literary style for which Guha became internationally known – narrative histories which have made vast areas of scholarship popular and accessible.

Four decades later, though he no longer publishes his books, Advani remains Guha’s most trusted literary adviser. Yet they also disagree ferociously on politics, human nature, and the shape of their commitment to India. They usually make up – because it just wouldn’t do to allow such an odd relationship to die.

Built around letters and emails between an outgoing and occasionally combative scholar and a reclusive editor prone to private outbursts of savage sarcasm, this book is never short of the kind of wit, humour, and drollery that has been strangled by contemporary political correctness.

With seven songs added for this edition: ‘Bluebird,’ ‘Day Tripper,’ ‘English Tea,’ ‘Every Night,’ ‘Hello, Goodbye,’ ‘Magical Mystery Tour’ and ‘Step Inside Love’

Spanning seven decades – from his early Liverpool days, through the historic decade of The Beatles, to Wings and his long solo career – Paul McCartney’s The Lyrics has transformed the way artists write about music, pairing the definitive texts of 161 songs with intimate, autobiographical commentaries on McCartney’s life and music.

Arranged alphabetically, these commentaries reveal the diverse circumstances in which the songs were written, how they ultimately came to be, and the remarkable – often ordinary – people and places that inspired them. Dozens of vignettes re-create the working-class Liverpool of McCartney’s youth, where delivery boys ran parcels on docks, as in ‘On My Way to Work,’ and elderly ladies in the neighbourhood inspired ‘Eleanor Rigby.’ McCartney also introduces us to his early literary influences, among them Shakespeare, Lewis Carroll and Allen Ginsberg, as well as Alan Durband, his beloved English teacher, and his mother, Mary, who passed away when he was just fourteen – and whose memory has infused his work ever since.

Yet the two most powerful presences in The Lyrics after the author himself are his songwriting partner, John Lennon, and his ‘Golden Earth Girl,’ Linda Eastman McCartney. Here McCartney describes how he met John at a church fête in 1957; their adventures with George Harrison and Ringo Starr in the early 1960s; and how, at the end of the decade, they, and The Beatles, broke up. Thus began a second act of now more than fifty years, with Linda and family life as driving forces – inspiring songs from ‘Maybe I’m Amazed,’ written just after the breakup of The Beatles, to the 2012 ballad ‘My Valentine,’ addressed to McCartney’s wife and partner, Nancy Shevell McCartney.

Edited and introduced by Pulitzer Prize-winning poet Paul Muldoon, and enhanced by more than a hundred images from McCartney’s personal archives – including handwritten texts, mementos, and photographs – and seven new song commentaries, The Lyrics is a book for the ages, and the definitive literary and visual record of one of the greatest songwriters of all time.

Two leading authorities – a bestselling historian and the outstanding battlefield commander and strategist of our time – collaborate on a landmark examination of war since 1945.

Conflict is both a sweeping history of the evolution of warfare up to Putin’s invasion of Ukraine, and a penetrating analysis of what we must learn from the past, and anticipate in the future, in order to navigate an increasingly perilous world.

In this deep and incisive study, General David Petraeus, the former CIA director who commanded the US-led coalitions in both Iraq and Afghanistan, and the prize-winning historian Andrew Roberts, explore over seventy years of conflict, drawing significant lessons and insights from their fresh analysis of the past. Petraeus and Roberts show how often critical mistakes have been repeated time and again, and explore the challenge, for statesmen and generals alike, of learning to adapt to various new weapon systems, theories and strategies. Among the conflicts examined are the Arab – Israeli wars, the Korean and Vietnam wars, the two Gulf wars, the Balkan wars in the former Yugoslavia, and both the Soviet and Coalition wars in Afghanistan, as well as guerrilla conflicts in Africa and South America.

Conflict culminates with a bracing look at Putin’s disastrous invasion of Ukraine, yet another case study in the tragic results that occur when leaders refuse to learn from history, and an assessment of the nature of future warfare. Filled with sharp insight and the wisdom of experience, Conflict is not only a critical assessment of our recent past, but also an essential primer of modern warfare that provides crucial knowledge for waging battle today as well as for understanding what the decades ahead will bring.

‘This collaboration between a famous general and a distinguished author is a marriage made in heaven. The book’s narrative is seamless, sustained by comparative judgements, and calculated to challenge the professional and enlighten the generalist’ PROFESSOR SIR HEW STRACHAN, Chichele Professor of History of War

‘Not since Clausewitz’ On War has a book provided so much insight into the nature of warfare. Deeply researched, brilliantly constructed and thoroughly entertaining, Conflict gets to the heart of why some nations win and others lose during war. It is a book that will shape the thinking of policy makers and military strategists for generations to come’ ADMIRAL WILLIAM H. MCRAVEN, US Navy ( Ret .); former Commander of US Special Operations Command

‘A dream, perhaps, but one that still sounds worth fighting for, even beautiful’ Stuart Jeffries, The Observer

‘An ambitious and masterly account of utopian protest in Europe … Fast-paced, with an eye for telling detail and written with a light touch’ Robert Gildea

In post-war Europe, protest was everywhere. On both sides of the Iron Curtain, from Paris to Prague, Milan to Wroclaw, ordinary people took to the streets, fighting for a better world. Their efforts came to a head most dramatically in 1968 and 1989, when mass movements swept Europe and rewrote its history.

In the decades between, Joachim C. Häberlen argues, new movements emerged that transformed the nature of protesting. Activism moved beyond traditional demonstrations, from squatting to staging ‘happenings’ and camping out at nuclear power plants. People protested in the way they dressed, the music they listened to, the lovers they slept with, the clubs where they danced all night. New movements were born, notably anti-racism, women’s liberation, gay liberation, and environmentalism. And protest turned inward, as activists experimented with new ways of living and feeling, from communes to group therapy, in their efforts to live a better life in the here and now.

Some of these struggles succeeded, others failed. But successful or not, their history provides a glimpse into roads not taken, into futures that did not happen. The stories in Häberlen’s book invite us to imagine different futures; to struggle, to fail, and to try again. In a time when we are told that there are no alternatives, they show us that there could be another way.

‘Preposterously entertaining’ Observer
‘Brilliant’ Daily Telegraph
‘Rollicking’ Sunday Times

As the sun set slowly on the British Empire in the years after the Second World War, the nation’s stately homes were in crisis. Tottering under the weight of rising taxes and a growing sense that they had no place in twentieth-century Britain, hundreds of ancestral piles were dismantled and demolished.

Yet – perhaps surprisingly – many of these great houses survived, as dukes and duchesses clung desperately to their ancestral seats and tenants’ balls gave way to rock concerts, safari parks and day trippers. From the Rolling Stones rocking Longleat to Christine Keeler rocking Cliveden, Noble Ambitions takes us on a lively tour of these crumbling halls of power.

* A Daily Telegraph Book of the Year *
* Longlisted for the William MB Berger Prize for British Art History *