Wheeler’s investigative skill and sense of judgement made him one of the most authoritative reporters of his generation. But what was it like to have been witness to the events that shaped our modern world? In this book – part memoir, part history, part reflection – his daughter, Shirin Wheeler, examines her father’s journalistic legacy and brings her personal knowledge to bear on the project. She will tell the story of her father: a patient listener and forensic interrogator who was driven by curiosity and passion to report and expose injustice, and above all to give a voice to people ignored or unheard by many.

An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon’s profound impact as a visionary editor who helped define an important period in American publishing and literature.

A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation’s most prestigious publishing houses. While Toni Morrison’s literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison’s remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms.

Toni Morrison herself had great enthusiasm about Dana Williams’s work on this story, generously sharing memories and thoughts with the author over the years, even giving her the book’s title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired, Toni at Random demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison’s contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.

In this incisive, moving and personal essay, one of the nation’s leading political voices, explores the ‘burden of representation’.

Gary Younge analyses the pressures exerted upon the relatively small group of people from underrepresented communities, who break through into elite spaces and the expectations that may come from above, below, within and outwith, from those with power and those without. These are issues that have framed, frustrated, inspired, and inflected his entire working life as a writer.

Younge offers reflections on how to navigate representation, power and responsibility while keeping your job, your sanity and your freedom both as a human being and as a writer.

‘A rigorously researched and deeply personal account of the modern female experience’ NADA ALIC

We are living in a world obsessed by beauty, and it is hurting us. From the moment we open our eyes, we are confronted with images and ideals that are crafted to make us look, think and be a certain way. Why do we aspire to this unobtainable ideal fed to us by the media, tech and beauty industries?

In Pixel Flesh, Ellen Atlanta confronts the digital age’s myth of beauty. Weaving in her own personal story with those of other women, she reveals the pressures put on us by our obsessive cult of beauty and shows that we all have the power to shatter the illusions we are under.

In this surreal moment in time, where the lines between reality and dystopia are more blurred than ever, Pixel Flesh unmasks the distortion of women and beauty in our digital world. This is a manifesto for women everywhere that defines the realities of our existence today and sets out a hopeful vision for a better future.

In this first biography, Thomas Harding provides a full, unvarnished and at times difficult history of this complex and fascinating character and crafts a portrait of the publisher’s life that is inextricable from the efforts and intricacies of putting a book into the world. Structured around twenty books associated with George Weidenfeld, and intercut with explorations of contemporary concerns such as the right to publish, freedom of speech and separating the art from the artist, The Maverick tells the captivating story behind the life of this iconic publisher.

‘Like hearing the voice of an old friend’ Observer

‘Extraordinary . . . a quality of timelessness and prescience’ New Statesman, Book of the Year

‘Magical . . . Here we meet not just Mantel the Cromwell-catcher, but Mantel the quill-sharp critic of contemporary life’ The Times, Book of the Year

THE MAGNIFICENT FINAL BOOK FROM THE BESTSELLING AUTHOR OF THE WOLF HALL TRILOGY

As well as her celebrated career as a novelist, Hilary Mantel long contributed to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. This strand of her writing was an integral part of how she thought of herself. ‘Ink is a generative fluid,’ she explains. ‘If you don’t mean your words to breed consequences, don’t write at all.’ A Memoir of My Former Self collects the finest of this writing over four decades.

Mantel’s subjects are wide-ranging. She discusses nationalism and her own sense of belonging; our dream life flopping into our conscious life; the mythic legacy of Princess Diana; the many themes that feed into her novels – revolutionary France, psychics, Tudor England – and other novelists, from Jane Austen to V. S. Naipaul. She writes about her father and the man who replaced him; she writes fiercely and heartbreakingly about the battles with her health she endured as a young woman, and the stifling years she found herself living in Saudi Arabia. Here, too, is a selection of her film reviews – from When Harry Met Sally to RoboCop – and, published for the first time, her stunning Reith Lectures, which explore the process of art bringing history and the dead back to life.

From her unique childhood to her all-consuming fascination with Thomas Cromwell that grew into the Wolf Hall Trilogy, A Memoir of My Former Self reveals the shape of Hilary Mantel’s life in her own dazzling words, ‘messages from people I used to be.’ Compelling, often very funny, always luminous, it is essential reading from one of our greatest writers.

‘A smart, deft, meticulous, thoughtful writer, with such a grasp of the dark and spidery corners of human nature’ Margaret Atwood

‘Mantel was a queen of literature . . . her reign was long, varied and uncontested’ Maggie O’Farrell

‘An essential mirror reflecting the profound impact of beauty culture on our lives’ CHLOÉ COOPER JONES

A generation defining exposé of toxic beauty culture and the realities of coming of age online

We are living in a new age of beauty. With advancements in cosmetic surgery, augmented reality face filters, photo editing apps, and exposure to more images than ever, we have the ability to craft a version of ourselves that we want everyone to see. We pinch, pull, squeeze, tweeze, smooth and slice ourselves beyond recognition. But is our beauty culture truly empowering? Are we really in control?

In Pixel Flesh, Ellen Atlanta holds a mirror up to our modern beauty ideal and the harm it is doing to women all around the world. Weaving in her own personal story with those of other women, she reconfigures our obsession with the cult of beauty and explores the realities of living in a digitally obsessed world where the pressure to present yourself both virtually and in person is all-consuming.

Providing an eye-opening account of the realities young women face under a dominant industry, Pixel Flesh unmasks the absurdities of the dystopia we find ourselves living in. Both a rallying cry and a refusal to suffer in silence, this is the defining book on what it feels like to exist as a woman today.

‘Like hearing the voice of an old friend’ Observer

As well as her celebrated career as a novelist, Hilary Mantel long contributed to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. This strand of her writing was an integral part of how she thought of herself. ‘Ink is a generative fluid,’ she explains. ‘If you don’t mean your words to breed consequences, don’t write at all.’ A Memoir of My Former Self collects the finest of this writing over four decades.

Mantel’s subjects are wide-ranging. She discusses nationalism and her own sense of belonging; our dream life flopping into our conscious life; the mythic legacy of Princess Diana; the many themes that feed into her novels – revolutionary France, psychics, Tudor England – and other novelists, from Jane Austen to V. S. Naipaul. She writes about her father and the man who replaced him; she writes fiercely and heartbreakingly about the battles with her health she endured as a young woman, and the stifling years she found herself living in Saudi Arabia. Here, too, is a selection of her film reviews – from When Harry Met Sally to RoboCop – and, published for the first time, her stunning Reith Lectures, which explore the process of art bringing history and the dead back to life.

From her unique childhood to her all-consuming fascination with Thomas Cromwell that grew into the Wolf Hall Trilogy, A Memoir of My Former Self reveals the shape of Hilary Mantel’s life in her own dazzling words, ‘messages from people I used to be.’ Compelling, often very funny, always luminous, it is essential reading from one of our greatest writers.

‘A smart, deft, meticulous, thoughtful writer, with such a grasp of the dark and spidery corners of human nature’ Margaret Atwood