The strangely enduring and occasionally fractious friendship which developed between the famously outspoken historian Ramachandra Guha and his reticent editor Rukun Advani is the subject of this quite eccentric and thoroughly compelling literary memoir.

It started in Delhi in the early 1980s, when Guha was an unpublished PhD scholar, and Advani a greenhorn editor with Oxford University Press. It blossomed through the 1990s, when Guha grew into a pioneering historian of the environment and of cricket, while also writing his pathbreaking biography of Verrier Elwin. Over these years Advani was Guha’s most constant confidant, his most reliable reader. He encouraged him to craft and refine the literary style for which Guha became internationally known – narrative histories which have made vast areas of scholarship popular and accessible.

Four decades later, though he no longer publishes his books, Advani remains Guha’s most trusted literary adviser. Yet they also disagree ferociously on politics, human nature, and the shape of their commitment to India. They usually make up – because it just wouldn’t do to allow such an odd relationship to die.

Built around letters and emails between an outgoing and occasionally combative scholar and a reclusive editor prone to private outbursts of savage sarcasm, this book is never short of the kind of wit, humour, and drollery that has been strangled by contemporary political correctness.

Welcome to Sotheran’s, one of the oldest bookshops in the world, with its weird and wonderful clientele, suspicious cupboards, unlabelled keys, poisoned books and some things that aren’t even books, presided over by one deeply eccentric apprentice.

Some years ago, Oliver Darkshire stepped into the hushed interior of Henry Sotheran Ltd on Sackville Street (est. 1761) to interview for a job. Allured by the smell of old books and the temptation of a management-approved afternoon nap, he was soon balancing teetering stacks of first editions, fending off nonagenarian widows and trying not to upset the store’s resident ghost (the late Mr Sotheran, hit by a tram).

Darkshire came to love Sotheran’s, not just for its illustrious history (or for producing the most cursed book of all time), but also its joyous disorganization and the unspoken rules of its gleefully old-fashioned staff, whose mere glance may cause a computer to burst into flames.

By turns unhinged and earnestly dog-eared, Once Upon a Tome is the rather colourful story of life in one of the world’s oldest bookshops and a love letter to the benign, unruly world of antiquarian bookselling.

Born into a Jewish family in Vienna in 1919, George Weidenfeld fled to England in 1938 to escape the Nazi regime. There he began a career in publishing that would make him one of the most influential figures in the industry. Over the course of his long and illustrious career he championed some of the most important voices of the twentieth century, from Vladimir Nabokov, Mary McCarthy and Saul Bellow to Harold Wilson, Isaiah Berlin and Henry Kissinger.

But what do we know about the man himself? Was he, as described by some, the ‘greatest salesperson’, ‘the world’s best networker’, ‘the publisher’s publisher’ and ‘a great intellectual’? Was his lifelong effort to be the world’s most famous host a cover for his desperate loneliness? Who, in fact, was the real George Weidenfeld and how did he rise so successfully within the ranks of London and New York society? Providing a full, unvarnished and at times difficult history of this complex man, this first biography of a titan of culture is also a story of resilience, determination and the power of ideas to shape history.

Most of what we say about books is really about the words inside them: the rosy nostalgic glow for childhood reading, the lifetime companionship of a much-loved novel. But books are things as well as words, objects in our lives as well as worlds in our heads. And just as we crack their spines, loosen their leaves and write in their margins, so they disrupt and disorder us in turn. All books are, as Stephen King put it, ‘a uniquely portable magic’. Here, Emma Smith shows us why.

Portable Magic unfurls an exciting and iconoclastic new story of the book in human hands, exploring when, why and how it acquired its particular hold over us. Gathering together a millennium’s worth of pivotal encounters with volumes big and small, Smith reveals that, as much as their contents, it is books’ physical form – their ‘bookhood’ – that lends them their distinctive and sometimes dangerous magic. From the Diamond Sutra to Jilly Cooper’s Riders, to a book made of wrapped slices of cheese, this composite artisanal object has, for centuries, embodied and extended relationships between readers, nations, ideologies and cultures, in significant and unpredictable ways.

Exploring the unexpected and unseen consequences of our love affair with books, Portable Magic hails the rise of the mass-market paperback, and dismantles the myth that print began with Gutenberg; it reveals how our reading habits have been shaped by American soldiers, and proposes new definitions of a ‘classic’-and even of the book itself. Ultimately, it illuminates the ways in which our relationship with the written word is more reciprocal – and more turbulent – than we tend to imagine.

‘Talent is rare, which is why I let out a big yippee reading Andrew Lipstein’s Last Resort… Excellent’
THE TIMES

‘You won’t read a more brilliantly executed literary romp this year’
GUARDIAN

‘A funny, fast-paced literary satire’
DAILY TELEGRAPH

‘Incredibly entertaining’
NEW YORK TIMES, Editor’s Choice

‘Wicked fun… A deliciously absurd comedy’
WASHINGTON POST

‘If Less by Andrew Sean Greer left a hole in your life, good news: Last Resort will fill it’
MEG MASON

‘Caleb Horowitz is exactly the kind of character I love to hate’
CLAIRE FULLER

‘A rare accomplishment’
RUMAAN ALAM

‘Wickedly funny: I loved it’
PATRICK GALE

‘Superbly written, darkly funny and gripping from the first page. I absolutely loved it’
EMMA STONEX

Caleb Horowitz is twenty-seven, and his wildest dreams are about to come true. His manuscript has caught the attention of the literary agent, who offers him fame, fortune and a taste of the literary life. He can’t wait for his book to be shopped around to every editor in New York, except one: Avi Dietsch, a college rival and the novel’s ‘inspiration.’
When Avi gets his hands on the manuscript, he sees nothing but theft – and opportunity. And so Caleb is forced to make a Faustian bargain, one that tests his theories of success, ambition and the limits of art.

Sybille Bedford’s life contained all the grand feeling and seismic events of the twentieth century: war and peace, love and trauma, friendship and death. Her father died when she was just fourteen and her mother, a great socialite and litterateur, fell victim to a debilitating morphine addiction. A bon viveur, she roamed from country to country in search of fresh experience, with ear and eye attuned to her surroundings, typewriter at the ready.

Full of intense friendships (Aldous Huxley, Martha Gellhorn and Elizabeth Jane Howard among them), a fierce commitment to the craft of writing, as well as an insatiable appetite for love and sex, Sybille Bedford blazed her own path in her life and her art.

‘Selina Hastings’ wonderful, gossipy biography is a gem, revealing not just the shy writer, but also the colourful, turbulent 20th-century literary world in which she lived’ Sunday Times, Books of the Year

‘A wonderful biography’ Sara Wheeler, Spectator

‘An extraordinary story’ The Times

‘A richly entertaining biography’ Daily Mail, Books of the Year

In 2002, three young women with no business degrees, no formal training, and nothing to lose founded a fiercely independent bookstore. At the time, nothing like Diwan existed in Cairo. Culture was languishing under government mismanagement, and books were considered a luxury, not a necessity. Over the next decade, these three women would contend with censors, chauvinists, critics, one another and many people who said they would never succeed in establishing Diwan as Cairo’s leading bookstore.

Frank, fresh and very funny, Chronicles of a Cairo Bookseller is a portrait of a country hurtling toward a revolution, a feminist rallying cry, and an unapologetic crash course in running a business under the law of entropy. Above all, it is a celebration of the power of words to bring us home.

‘A unique memoir about career, life, love, friendship, motherhood, and the impossibility of succeeding at all of them at the same time . . . fascinating. Blunt, honest, funny’
Jenny Lawson, author of Broken (in the best possible way)

‘For every reader who has found solace in the aisles of a bookstore’
Emma Straub, author of All Adults Here