The Book of Kells is a mystery. It is distinct from all copies of the gospels from the early Middle Ages, not only in the quality and amount of its decoration but also in the peculiarities of the ordering of its contents, the oddness of its apparatus, the appearance of the script, the interplay of text and ornament, and the erratic forms of its Latin. Scholars cannot agree on the number of scribes and artists involved; or establish the purpose of the Book; or decide whether its oddities are the result of incompetence or carelessness, and how those oddities relate to the minutely careful and deeply meaningful art.

The Book of Kells is probably the most famous manuscript in the world – and Victoria Whitworth’s masterly treatment offers something new.

A revolutionary new history of the diffusion of Indian ideas, from the award-winning, bestselling author and co-host of the chart-topping Empire podcast

‘Richly woven, highly readable … Written with passion and verve’ Spectator
‘Dazzling … Not just a historical study but also a love letter’ Guardian
‘An outstanding new account … The most compelling retelling we have had for generations‘ Financial Times

India is the forgotten heart of the ancient world.

In the millennium and a half from c. 250 BC to 1200 AD, Indian art, religion, technology, astronomy, music, dance, literature, mathematics and mythology blazed a trail across the world – a Golden Road that stretched from the Red Sea to the Pacific.

Here, William Dalrymple draws from a lifetime of scholarship to highlight India’s oft-forgotten position as the heart of ancient Eurasia. For the first time, he gives a name to this spread of Indian ideas that transformed the culture and technology of not only its ancient world, but of the world as we know it today.

Praise for William Dalrymple and The Anarchy

‘A superb historian with a visceral understanding of India’ The Times
‘Magnificently readable, deeply researched and richly atmospheric’ Francis Wheen, Mail on Sunday

Using a wealth of little-known and recently discovered artefacts, and drawing particularly on humbler artworks, Jones paints a compelling picture of the visual environment of the great mass of ordinary people between 1200 and 1550. The picture that emerges is of a civilisation that is both like and unlike our own – one that teems with the richness of life and its contradictions. We find beliefs and traditions rendered memorable by the vivid, creative imagination and strong visual culture of the Middle Ages. Love, hatred, crime and punishment, proverbs, heaven on earth, husband-beating – all feature in the jewellery, tableware, illustrations, carvings and textiles of the period.

A major reassessment of the high medieval period, this revised and updated edition of The Secret Middle Ages is essential reading for anyone curious about their ancestors. As Jones writes, gems and precious metals may dazzle the eye, but a pewter brooch – tawdry as it may appear – has the power to reveal far more of the real medieval world.

‘Richly woven, highly readable … Written with passion and verve’ Spectator
‘Dazzling … Not just a historical study but also a love letter’ Guardian
‘An outstanding new account … The most compelling retelling we have had for generations‘ Financial Times

India is the forgotten heart of the ancient world

For a millennium and a half, India was a confident exporter of its diverse civilisation, creating around it a vast empire of ideas. Indian art, religions, technology, astronomy, music, dance, literature, mathematics and mythology blazed a trail across the world, along a Golden Road that stretched from the Red Sea to the Pacific.

William Dalrymple draws from a lifetime of scholarship to highlight India’s oft-forgotten position as the heart of ancient Eurasia. For the first time, he gives a name to this spread of Indian ideas that transformed the world. From the largest Hindu temple in the world at Angkor Wat to the Buddhism of China, from the trade that helped fund the Roman Empire to the creation of the numerals we use today (including zero), India transformed the culture and technology of its ancient world – and our world today as we know it.

Praise for William Dalrymple and The Anarchy

‘A superb historian with a visceral understanding of India’ The Times
‘Magnificently readable, deeply researched and richly atmospheric’ Francis Wheen, Mail on Sunday

A New York Times “Best Art Book of 2024”

A mandala is a diagram of the universe-a map of true reality intended to provide a focus for Buddhist religious practice and inspire the devout. This book highlights the distinctive Tibetan approach to creating mandalas, exploring how the form crossed over from India into Tibet, and how continuous exchanges of art and ideas between the two cultures, led by monks and spiritual teachers, gave rise to a uniquely Tibetan style of Buddhist imagery. Featuring more than one hundred paintings, sculptures, and ritual objects, this superbly illustrated volume reflects the dazzling complexities of the Tibetan imagery that has provided a foundation for mandalas through the centuries. Most notably, a mesmerizing installation by the Tibetan-American artist Tenzing Rigdol (b. 1982), specially created for the accompanying exhibition and published here for the first time, offers contemporary audiences a way of interrogating and understanding their world and underscores how this ancient tradition remains a vibrant living practice.

Published by The Metropolitan Museum of Art/Distributed by Yale University Press

Exhibition Schedule:

The Metropolitan Museum of Art, New York
(September 19, 2024-January 12, 2025)

Nevertheless, for the next four years he and a hand-picked team of assistants laboured over the vast ceiling, making thousands of drawings and spending back-breaking hours on a scaffold fifty feet above the floor. The result was one of the greatest masterpieces of all time. This fascinating book tells the story of those four extraordinary years and paints a magnificent picture of day-to-day life on the Sistine scaffolding – and outside, in the upheaval of early sixteenth-century Rome.