The Crown’s Silence is the untold story of the British royal family’s relationship to slavery from the reign of Elizabeth I to the present. It will be the first history of the British monarchy told through the lens of its intimate, centuries-long relationship with African slave trading, slavery, and racial injustice.

A work of ground-breaking original research and narrative synthesis, it exposes the ways in which the British monarchy invested in, expanded, and defended the transatlantic slave trade for nearly three centuries and how it continues to profit from systems of racial exploitation to this day – while remaining silent in the face of that legacy. It will reveal how the Crown effectively ruptured and reshaped Britain’s national narrative and collective memory of its own colonial past as well as the consequences of that deafening silence.

As former British colonies in the Caribbean consider severing their ties with the Crown (and the British royal family sends emissaries to try to keep them), The Crown’s Silence tells a history that is very much in the headlines – and will no doubt continue to be. It will be the next chapter in revealing the lost histories of not only Britain and the United States, but of our world.

This extraordinary collection of fifty distinct states has weathered immense – and recent – challenges, including a Civil War that was still raging as the first London Underground station opened. How did this melting pot of peoples and ideas not only endure but rise to dominate global politics, commerce, culture and warfare? What insights does this rich history offer about an increasingly divided nation – and the world that moves to its rhythm? Is this the twilight of American supremacy, signalling a shift toward a more introspective nation?

A Short History of America is rich with vivid characters – from arrogant conquistadors and idealistic revolutionaries to imperial presidents – and presents a narrative so astonishing it often feels like fake news. This is a gripping must-read for anyone seeking to make sense of our world today.

‘Remarkable, riveting’, Adam Hochschild, historian and bestselling author of King Leopold’s Ghost and Bury the Chains

In 1781, the Zorg set off from The Netherlands to West Africa and from there onto the Caribbean. The fateful voyage would alter the course of history forever.

By the time its journey ends, the Zorg would become the first undeniable argument against slavery.

When a series of unpredictable weather events and navigational errors led to the Zorg sailing off course and running low on supplies, the ship’s captain threw more than a hundred slaves overboard in order to save the crew and the most valuable slaves. The ship’s owners then claimed their loss on insurance, a first for slaves who had not been killed due to insurrection or died of natural causes.

The insurers refused to pay due to the higher than usual mortality rate of the slaves on board, leading to a trial which initially found in their favour, in which Chief Justice Mansfield compared the slaves to horses. Thanks to the outrage of one man present in court that day, a retrial was held. For the first time, concepts such as human rights and morality entered the discourse on slavery in a courtroom case that boiled down to a simple yet profound question: Were the Africans on board people or cargo?

In his riveting new book, bestselling author and Pulitzer Prize finalist Siddharth Kara brings history to life, showcasing how the Zorg‘s fateful voyage exposed the harsh reality of the slave trade.

The case catapulted the emerging anti-slavery movement to one of the most consequential moral campaigns that changed the course of history.

The Zorg is the astonishing yet little-known true story of one of the most consequential ships that ever crossed the Atlantic.

How is it that slave-owners were paid compensation from our taxes, yet the enslaved and their families were not? Why should the descendants of former slaveowners still benefit from inherited wealth while the successors of the victims of slavery receive nothing, and may have even paid towards the debt of compensation through their taxes?

Beginning with these simple but startling questions, Lenny Henry and Marcus Ryder explore the burning issue of how best can we resolve the inequality resulting from 400 years of the enslavement of African people and the ongoing racism still suffered by millions across the world.

Talking to reparation experts, economists, politicians, and anti-racism campaigners, including Bell Rebeiro-Addy, Robert Beckford, Kenneth Mohammed and Kehinde Andrews, they investigate how reparations can work, and how we can help to make them happen.

Daring To Be Free portrays the struggle for liberation from the perspective of the enslaved, wherever possible in their own words. It shines a light on the lives of revolutionaries like Toussaint Louverture, José Antonio Aponte, Nat Turner, and the pregnant rebel Solitude; freed writers of narrative accounts like Frederick Douglass and Ottobah Cugoano; and the countless maroons, insurgents and conspirators whose acts of defiance destabilised the slave order in the colonies and galvanized the movement for abolition in France, Britain, and the United States. Hazareesingh gives particular emphasis to the powerful roles of women as campaigners, disruptors and warriors.

Drawing on written archives and oral history, as well as a rich body of secondary sources, the book traces the networks of cooperation that connected runaway settlements, covert rebellions and organized uprisings from Haiti, Jamaica, Brazil and Cuba to Mauritius and the United States. It shows us how the struggle for liberty was shaped not only by western Enlightenment ideals but by the spiritual, martial, and religious influences from the lives of the enslaved in Africa before the Middle Passage – and by the inspiring example of Haiti, the first successful anticolonial revolution and the first independent black state, which echoed down the 19th century.

Daring To Be Free reshapes our understanding of Atlantic slavery by portraying how enslaved lives were defined not by their dehumanisation at the hands of colonialists and slavers but by their own resilience, solidarity, and commitment to freedom. It also examines the afterlife of the slave trade in contemporary discussions about the legacy of slavery and possibilities for redress, reparations, and memorial in our own time.

‘Run, Àjàyí, run!’

The day the Malian slave traders invaded the Nigerian town of Òsogùn, thirteen-year-old Àjàyí’s life was split in two.

Before, there was his childhood, surrounded by friends and family, watched over by the ancient Yorùbá gods of forest and water, earth and sky. After: capture, slavery – and release, into the service of a new god, his own culture left far behind. So Àjàyí becomes Samuel Crowther – missionary, linguist, minister – and abolitionist: driven to negotiate against his own people to end the miserable trade in human beings which destroyed his family.

From the heart-stopping drama of Àjàyí’s last day of freedom to his consecration as the first African Bishop of the Anglican Church, Biyi Bándélé’s kaleidoscopic reimagining of Crowther’s life is a brilliant tour de force.

WITH AN INTRODUCTION FROM WOLE SOYINKA

‘A true artist. A brilliant writer. An original thinker’ Chimamanda Ngozi Adichie

‘Biyi Bándélé had a prolifically talented and creative mind, shown in everything he touched. Yorùbá Boy Running is no exception’ Chiwitel Ejiofor

Cover artwork Chris Ofili, Blind Leading Blind, 2005 © The artist.

A unique, startling book that gives a rich and detailed sense of life in an African port some 360 years ago

In 1665 Crispina Peres, the most powerful trader in the West African slave trafficking port of Cacheu, was arrested by the Inquisition. Her enemies had conspired to denounce her for taking treatments prescribed by Senegambian healers: the djabakós. But who was Peres? And why was the Portuguese Inquisition so concerned with policing the faith of a West African woman in today’s Guinea-Bissau?

In Cacheu Toby Green takes us to the heart of this conundrum, but also into the atmosphere of a very distant time and place. We learn how people in seventeenth-century Cacheu built their houses, what they wore, how they worshipped – and also the work they did, how they had fun, and how they healed themselves from illness.

Through this story, the haunting realities of the growing slave trade and the rise of European empires emerge in shocking detail. By the 1650s, the relationship between Europe, West Africa, and the Americas was already an old one, with slaving entrepots, colonies, and military bases interweaving over many generations. But Cacheu also challenged the dynamic. It was globally connected to places ranging from China and India to Brazil and Colombia, and women like Crispina Peres ran the town and challenged the patriarchy of empire.

For the first time, through the surviving documents recording Peres’s case, we can see what this world was really like. Cacheu is an extraordinary act of historical recovery. It is the story of a seventeenth-century West African woman, but also of the shifting, sophisticated world in which she lived – its beliefs, values and people.

‘Charles Dick has done a major service to the history of the Third Reich. The Organisation Todt exploited camp prisoners and forced labourers as ruthlessly and murderously as the better-known SS, but its responsibility has never been properly explored’ RICHARD OVERY, author of Blood and Ruins

Discover for the first time the story of the Organisation Todt, a hidden and brutal organisation overseen by Hitler at the heart of the Nazi machine.

Adolf Hitler described the Organisation Todt as ‘the greatest construction organisation of all time’. It was from this organisation, headed by Albert Speer, that Hitler enlisted the nation’s leading engineers and architects to build his empire of dreams. In time, it became a key partner to the SS and the Wehrmacht and led to the deaths of millions.

Unknown Enemy reveals the full extent of the OT and its long arm across Europe and the Reich. In wartime, its operations relied mainly on Germany’s slave labour system, the largest exploitation of foreign labour since the end of the Transatlantic Slave Trade. Charles Dick takes us inside the OT’s vast building projects throughout German-occupied Europe, from the Arctic circle to the Balkans, to tell the story of how engineers and builders – so-called ‘ordinary men’ – perpetrated some of the gravest war crimes under its banner.

Despite its extensive network, the Organisation Todt largely managed to slip under the radar of war prosecutors after Germany’s defeat. Drawing on extensive new research, first-person accounts and survivor testimony, Unknown Enemy finally unearths its dark story.