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	<title>World music &amp; regional styles &#8211; The Bell Bookshop</title>
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	<title>World music &amp; regional styles &#8211; The Bell Bookshop</title>
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		<title>And the Roots of Rhythm Remain</title>
		<link>https://www.bellbookshop.co.uk/product/and-the-roots-of-rhythm-remain/</link>
		
		<dc:creator><![CDATA[Emma]]></dc:creator>
		<pubDate>Thu, 31 Jul 2025 00:00:00 +0000</pubDate>
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					<description><![CDATA[Joe Boyd was part of a small group of label heads and journalists who chose 'world music' as their marketing slogan in the 1980s. They had little idea how fast and how wide those simple words would spread, the controversy it would cause, and only the vaguest idea of how far back the history went. Following the international success of his memoir 'White Bicycles', Boyd set out to explore the stories behind the music he had helped to popularise. His experiences as a producer working the world over had given him the skeleton of an idea, though the subject is far broader. Over the past decade he has interviewed musicians, producers and academics, and spent years reading, listening and writing. The resulting book is like no other. He shows how jazz, r&#038;b and rock 'n' roll would never have happened if it wasn't for sounds emanating from over the horizon and below the equator.]]></description>
										<content:encoded><![CDATA[<p><b>A <i>Financial Times</i>, <i>Irish Times</i>, <i>Mojo </i>and <i>Uncut </i>Book of the Year</b><br /><b><br />&#8216;I doubt I&#8217;ll ever read a better account of the history and sociology of popular music than this one.&#8217; Brian Eno</b></p>
<p><b>&#8216;Boyd&#8217;s book is the Proust of music history &#8211; Ã  la recherche of much music lost, here regained and affirmed in our present.&#8217; <i>Observer</i></b></p>
<p>Legendary producer and record label boss Joe Boyd has spent a lifetime travelling the globe and immersing himself in music. He has witnessed first-hand the growing popularity of music from Africa, India, Latin America, the Caribbean and Eastern Europe since the 1960s and was one of the protagonists of the &#8216;world music&#8217; movement of the 1980s. </p>
<p>In this sweeping history, Boyd sets out to explore the fascinating backstories to these sounds and documents a decade of encounters with the most extraordinary musicians and producers who have altered the course of music for us all. </p>
<p><i>And the Roots of Rhythm Remain</i> shows how personalities, events and politics in places such as Havana, Lagos, Budapest, Kingston and Rio are as colourful and momentous as anything that took place in New Orleans, Harlem, Laurel Canyon or Liverpool. And, moreover, how jazz, rhythm and blues and rock &#8216;n&#8217; roll would never have happened if it weren&#8217;t for the notes and rhythms emanating from over the horizon.</p>
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		<title>Volcanic tongue</title>
		<link>https://www.bellbookshop.co.uk/product/volcanic-tongue/</link>
		
		<dc:creator><![CDATA[Emma]]></dc:creator>
		<pubDate>Thu, 06 Mar 2025 00:00:00 +0000</pubDate>
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					<description><![CDATA['Volcanic Tongue' presents a collection of multi-award-winning author David Keenan's music writings. Keenan has been writing about music since publishing his first fanzine, inspired by The Pastels and by Glasgow (and Airdrie's) DIY music scene, in 1988. Since then, he has written about music for Melody Maker, NME, Uncut, Mojo, The New York Times, Ugly Things, The Literary Review, The Social and, most consistently, The Wire. Volcanic Tongue was also the name of the record shop and mail order that Keenan ran with his partner Heather Leigh in Glasgow from 2005-2015. This book features the best of his reviews, interviews and think pieces, with exclusive in-depth conversations.]]></description>
										<content:encoded><![CDATA[<p><i>Volcanic Tongue</i> presents the first ever collection of multi-award-winning author David Keenan&#8217;s music writings. Keenan has been writing about music since publishing his first fanzine, inspired by The Pastels and by Glasgow (and Airdrie&#8217;s) DIY music scene, in 1988. Since then, he has written about music for <i>Melody Maker, NME, Uncut, Mojo, The New York Times, Ugly Things, The Literary Review, The Social </i>and, most consistently, <i>The Wire</i>. Volcanic Tongue was also the name of the record shop and mail order that Keenan ran with his partner, Heather Leigh, in Glasgow from 2005-2015.</p>
<p><i>Volcanic Tongue</i> features the best of his reviews, interviews and think pieces, with exclusive in-depth conversations between Keenan and Nick Cave, members of legendary industrial bands Coil and Throbbing Gristle, krautrock legends like Faust, Shirley Collins, the first lady of English folk, Kevin Shields of My Bloody Valentine, German auto-destructives EinstÃ¼rzende Neubauten, as well as discographical analysis of the back catalogues of groups like Sonic Youth and musicians like John Fahey, extensive writings on free jazz and obsessive in-depth digs into favourites like Pere Ubu, Metal Box-era Public Image Ltd, Sun Ra, guitarist and vocalist John Martyn and many more. It is an essential addition to any music fan&#8217;s bookshelf.</p>
<p>This first collection of his legendary criticism functions as an extended love letter to the revolutionary music of the 20th century and the incredible culture that sustained it.</p>
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