This fascinating book features twenty-four divinatory techniques from around the world that have been and are still used to uncover hidden information: from astrology, palmistry, and Tarot to egg divination and Chinese Yijing. Each chapter is beautifully illustrated with a wide range of associated objects, such as cards, dice, altars, candles and texts, and even mathematical tools including astrolabes and astronomical tables. While these practices are often seen as light-hearted entertainment, a soothsayer’s uncannily accurate reading can catapult a client from scepticism to serious engagement.

From ancient times to the present day, this spellbinding collection explores our need to appeal to powers beyond the realm of our day-to-day understanding for prediction and clarification, and how the questions we ask can reveal more than the answers we are given.

Have you ever wanted to protect your books from forgetful borrowers, merciless page-folders or outright thieves? Perhaps you have even wished harm on those who have damaged your books, but would you threaten them with hellfire, hanging or the plague?

This book contains a collection of some of the most ferocious and humorous book curses ever inscribed, from fearsome threats discovered emblazoned on stone monuments from the ancient Near East, to elaborate manuscript maledictions and chilling warnings scribbled in printed books. Book curses are entertaining writings in themselves, but they also offer a tantalising insight into how passionately texts and books have been valued by their owners and readers over the centuries. Here you will find an engaging introduction to the history and development of the book curse and perhaps some inspiration to pen a few of your own.

Widely appreciated in their time, Catesby’s stunning illustrations, with their striking combinations of animals and plants, together with the first-hand observations he made, catalysed interest in the natural history of Colonial America and established his work as a key reference for the scientific understanding of natural history. As an artist, Catesby meticulously recording the environment, sifting fact from fiction about the lives of the plants and animals he observed. As a collector, he introduced many living plants to Britain, thereby changing European gardens forever.

This beautiful book, which reproduces all the plates, shows how Catesby’s practical field experience shaped his work in all areas. Whether through the now-extinct species he recorded or the cultural changes he witnessed, his research continues to be relevant, demonstrating the vulnerability and fragility of the natural world.

Beautifully produced, carefully curated and timeless, this book is the perfect gift for anyone who likes to be haunted by ghost stories. Read it if you dare.

Organized by novel, the extracts have been chosen as standalone vignettes or set pieces which can be enjoyed without needing further explanation. They are illustrated with the much-loved line drawings from the early editions, including work by George Cruikshank, Phiz, John Leech and Marcus Stone. Here you will find passages from the great novels Oliver Twist, David Copperfield, Bleak House, Great Expectations and A Christmas Carol, as well as the unfinished Mystery of Edwin Drood.

Joyous and satirical, this is the ideal gift not only for Dickens enthusiasts but for anyone with an appreciation of the power of humour.

Drawing on first-hand narratives and material from University and college archives, this pioneering account reveals the essential role Oxford played in producing military intelligence, creating propaganda, and developing radar and the atomic bomb. It also explores the city’s role in bringing penicillin to market and laying the foundations of the welfare state. It shows how the Cowley car works was heavily involved in arms production and the salvage of RAF fighter planes, and also how the University provided a place of sanctuary for academics fleeing fascism who in turn made significant contributions in their fields of expertise.

Together these accounts paint an extraordinary picture of the war’s profound impact on an ancient seat of learning.

Despite the effort that went into producing the work, at a time when ‘conchophilia’, or shell fancying, was at its height, Perry’s Conchology all but disappeared without a trace in the scientific literature, apparently actively suppressed by the leading conchologists of the day and then cruelly mocked for decades afterwards.

This book reproduces the stunning, exquisitely drawn and sometimes fanciful shell illustrations from this extraordinary forgotten volume. Following an introduction exploring our fascination with shells and their impact on human history, culture and science, each of the sixty-one colour plates is included alongside a description of notable shells and what is known of the mysterious organisms that make them. From the common limpet and razor clam to the valuable cowry and spectacular divine conch, the wide range of shells featured form a treasure trove of natural beauty from our oceans and shores.

This beautiful book reproduces in colour the twenty-seven pages of the Bodleian Library’s copy of Songs of Innocence together with page-facing transcriptions and an introduction on Blake, his life and work, his illuminated printing process and the genre and continuing influence of Songs of Innocence.

Including the much-loved ‘Nurse’s Song’, ‘Little Boy Lost’ and ‘Spring’, Blake’s captivating lyrics celebrate childhood as a period of harmony and spontaneity, where the defining traits of the world are compassion, empathy and love.

Nevertheless, he came back to Oxford in 1932 and again in 1933 – now as a refugee from Nazi Germany. In many ways, the city appealed deeply and revealed him at his most charismatic, as he participated in its science, music and politics, and wandered its streets alone. While staying in college rooms once occupied by the mathematician and writer Lewis Carroll, author of Alice’s Adventures in Wonderland, he wrote a rhymed German poem – now kept in the Bodleian Library – describing himself as an old ‘hermit’ and a roaming ‘barbarian’. His diary entries, alongside observations from the people he met – such as the future novelist William Golding – also reveal his unique sense of humour.

Einstein and 1930s Oxford were exquisitely matched and ill-matched, as the intimate and unfamiliar stories in this book reveal, thereby casting light on why Einstein continues to be the world’s most famous scientist.