Spanning centuries and international in scope, this peerless anthology pays tribute to a genre that is at once the most intimate and public of all literary forms.

This new updated edition is published to mark the twentieth anniversary of the book’s original publication.

The fates of the two cousins and Mr Cadmus, and those of Little Camborne and Caldera, become inextricably enmeshed. Long-hidden secrets and long-held grudges threaten to surface, drawing all into a vortex of subterfuge, theft, violence, mayhem . . . and murder.

In Island Dreams, Gavin Francis examines our collective fascination with islands. He blends stories of his own travels with psychology, philosophy and great voyages from literature, shedding new light on the importance of islands and isolation in our collective consciousness.

Comparing the life of freedom of thirty years of extraordinary travel from the Faroe Islands to the Aegean, from the Galapagos to the Andaman Islands with a life of responsibility as a doctor, community member and parent approaching middle age, Island Dreams riffs on the twinned poles of rest and motion, independence and attachment, never more relevant than in today’s perennially connected world.

Illustrated with maps throughout, this is a celebration of human adventures in the world and within our minds.

Hirut and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms. But how could she have predicted her own personal war, still to come, as a prisoner of one of Italy’s most vicious officers?

The Shadow King is a gorgeously crafted and unputdownable exploration of female power, and what it means to be a woman at war.

Shortlisted for the Walter Scott Prize for Historical Fiction
Longlisted for the Orwell Prize for Political Fiction

Three journeys. One road.

England, 1348. A gentlewoman flees an odious arranged marriage, a proctor sets out for a monastery in Avignon and a young ploughman in search of freedom is on his way to volunteer with a company of archers. All come together on the road to Calais. In the other direction comes the Black Death, the plague that will wipe out half of the population of Northern Europe.

To Calais, In Ordinary Time is an exploration of love, death and power, against the backdrop of catastrophe.

‘EXTRAORDINARY’ The Times, ‘BEAUTIFUL‘ Dolly Alderton, ‘SHATTERING‘ Observer, ‘INCREDIBLE’ Benjamin Zephaniah, ‘UNPUTDOWNABLE’ Sunday Times, ‘ASTOUNDING’ Matt Haig, ‘POWERFUL’ Elif Shafak

At the age of seventeen, after a childhood in a foster family followed by six years in care homes, Norman Greenwood was given his birth certificate. He learned that his real name was not Norman. It was Lemn Sissay. He was British and Ethiopian. And he learned that his mother had been pleading for his safe return to her since his birth.

This is Lemn’s story: a story of neglect and determination, misfortune and hope, cruelty and triumph.

Sissay reflects on his childhood, self-expression and Britishness, and in doing so explores the institutional care system, race, family and the meaning of home. Written with all the lyricism and power you would expect from one of the nation’s best-loved poets, this moving, frank and timely memoir is the result of a life spent asking questions, and a celebration of the redemptive power of creativity.

London, 1863. A strange puzzle has reached Bridie Devine, the finest female detective of her age. To recover a stolen child, Bridie must enter the dark world of medical curiosities. The public love a spectacle and this child may well prove the most remarkable spectacle London has ever seen.

Things in Jars is a Victorian novel unlike any other, one that explores what it is to be human in inhumane times.

Unintentional psychic Maud Drennan arrives to look after Cathal Flood, a belligerent man hiding in his filthy, cat-filled home.

Her job is simple: clear the rubbish, take care of the patient. But the once-grand house has more to reveal than simply its rooms. There is a secret here, and whether she likes it or not, Maud may be the one to finally uncover what has previously been kept hidden . . .

* In the US, this book is published under the title Mr Flood’s Last Resort