‘Lush.’ Sunday Times
‘Superb.’ Daily Mail
‘Elegantly written.’ Sunday Telegraph

From award-winning and internationally bestselling author of Demon Copperhead and Flight Behaviour, The Lacuna is the heartbreaking story of a man torn between the warm heart of Mexico and the cold embrace of 1950s America in the shadow of Senator McCarthy.

Born in America and raised in Mexico, Harrison Shepherd is a liability to his social-climbing flapper mother, Salome. When he starts work in the household of Mexican artists Diego Rivera and Frida Kahlo – where the Bolshevik leader, Lev Trotsky, is also being harboured as a political exile – he inadvertently casts his lot with art, communism and revolution. A compulsive diarist, he records and relates his colourful experiences of life with Diego Rivera, Frida Kahlo and Trotsky in the midst of the Mexican revolution. A violent upheaval sends him back to America; but political winds continue to throw him between north and south, in a plot that turns many times on the unspeakable breach – the lacuna – between truth and public presumption.

Jan Morris’s collection of travel writing and reportage spans over five decades and includes such titles as Venice, Hong Kong, Spain, Manhattan ’45, A Writer’s World and the Pax Britannica Trilogy. Hav, her novel, was shortlisted for the Booker Prize and the Arthur C. Clarke Award.

‘Sydney should be flattered. A great portrait painter has chosen it for her recent subject . . . Few writers – a handful of novelists apart – have got so far under the city’s skin as Morris . . . Few Sydneysiders could match her knowledge of their city’s history and its anecdotes’ The Times

‘The writing is, at times, like surfing: sentences rise like vast waves above which she rides, never overbalancing into gush . . . Jan Morris convincingly explains modern Sydney through its history’ Observer

Inspector Archie Penrose invites crime writer Josephine Tey down to his family home in Cornwall so she can recover from a recent trauma. Josephine welcomes the opportunity, but her hopes of experiencing a period of rest are dashed when her arrival coincides with the mysterious death of a young man in the village.

Soon, more people are going missing or turning up dead, and Josphine and Archie begin to suspect the involvement a cold-blooded murderer.

As Josephine and Archie try to unravel the mystery, they begin to see death as an angel with two faces – one gazing at the violence in the present, the other looking back to the crimes hidden in the past.

In Manhattan ’45, acclaimed travel writer and historian Jan Morris evokes the city in all its romantic grandeur. From its beguilingly idiosyncratic architectural style to its unmistakable slang, post-War New York springs to life through Morris’s brisk, affectionate prose. Morris visits Wall Street, Harlem, Greenwich Village, Chinatown, and the Lower East Side. She rides the trollies, the El, the Hudson River ferries, and the Twentieth Century Limited. She dines at Schrafft’s and Le Pavillon, drinks ale at McSorley’s Saloon, sips Manhattans at the Manhattan Club, and spots celebrities at El Morocco. She meets Fiorello La Guardia, Robert Moses, Leo Durocher, I. B. Singer, and Dizzy Gillespie. And she tours the tenements of Hell’s Kitchen and the Gashouse district, as well as the Foundling Hospital where the crushing realities of poverty belie the unchallenged exuberance of the age.

Taking into account both Social Register and slum, Manhattan ’45 celebrates New York’s Golden Age as a place where, for one unrepeatable moment in history, anything seemed possible.

Tokyo, January 26th, 1948. As the third year of the US Occupation of Japan begins, a man enters a downtown bank. He speaks of an outbreak of dysentery and says he is a doctor, sent by the Occupation authorities. Clear liquid is poured into sixteen teacups. Sixteen employees of the bank drink this liquid according to strict instructions. Within minutes twelve of them are dead, the other four unconscious. The man disappears along with some, but not all, of the bank’s money. And so begins the biggest manhunt in Japanese history.

In Occupied City, David Peace dramatises and explores the rumours of complicity, conspiracy and cover-up that surround the chilling case of the Teikoku Bank Massacre: of the man who was convicted of the crime, of the legacy of biological warfare programmes, and of the victims and survivors themselves.

Joe and Kate Ruttledge have come to Ireland from London in search of a different life. In passages of beauty and truth, the drama of a year in their lives and those of the memorable characters that move about them unfolds through the action, the rituals of work, religious observances and play. We are introduced, with deceptive simplicity, to a complete representation of existence – an enclosed world has been transformed into an Everywhere.

‘McGahern brings us that tonic gift of the best fiction, the sense of truth – the sense of transparency that permits us to see imaginary lives more clearly than we see our own.’ John Updike
‘I have admired, even loved, John McGahern’s work since his first novel.’ Melvyn Bragg

‘Constantly surprising.’ London Review of Books

‘One of the most original comic creations in recent fiction.’ Guardian

Time passed slowly in the 1950s, especially if you’d been put to bed and told not to move (until further notice). But John Cromer, the central character of this extraordinary novel, is much closer to being an explorer than a victim. He’s the weakest hero in fiction – unless he’s one of the strongest.

The first instalment of the semi-infinite Pilcrow sequence, this novel of capacious wit and style marks the opening chapter of the most memorable and enjoyable experiment in modern fiction.

‘Pilcrow is a humdinger, a startling work that stands out against the monotonous field of contemporary British fiction as a genuine, almost miraculous oddity.’ Metro