WINNER OF THE PULITZER PRIZE
WINNER OF THE PEN/HEMINGWAY AWARD
WINNER OF THE NEW YORKER PRIZE FOR BEST FIRST BOOK

Jhumpa Lahiri’s prize-winning debut collection explores the lives of Indians in exile – of people navigating between the strict traditions they’ve inherited and the baffling New World they must encounter every day.

Whether set in Boston or Bengal, these sublimely understated stories, imbued with umour and subtle detail, speak with eloquence to anyone who has ever felt the yearnings of exile or the emotional confusion of an outsider.

‘Lahiri is a writter of uncommon elegance and poise, and with Interpreter of Maladies she has made a precocious debut’ New York Times

From the 1930s to the 2000s, Fay Weldon has seen and lived our times. As a child in New Zealand, young and poor in London, unmarried mother, wife, lover, playwright, novelist, feminist, anti-feminist, spag-bol-cook, winer-and-diner, there are few waterfronts that she hasn’t covered, few battles she hasn’t fought. An icon to many, a thorn-in-the-flesh to others, she has never failed to excite, madden, or interest. Her life and times cover love, sex, babies, blokes, poverty, work, politics, and not a few Very Famous Names.

Moving from New Zealand to London to Scotland, from the UK to points east and west, Weldon has sipped, gulped, and sometimes spat out the things that make us what we are today.

James Achilles Kirkpatrick was the British Resident at the court of Hyderabad when he met Khair un-Nissa – ‘Most Excellent among Women’ – the great-niece of the Prime Minister of Hyderabad. He fell in love with her and overcame many obstacles to marry her, converting to Islam and, according to Indian sources, becoming a double-agent working against the East India Company.

It is a remarkable story, but such things were not unknown: from the early sixteenth century to the eve of the Indian Mutiny, the ‘white Mughals’ who wore local dress and adopted Indian ways were a source of embarrassment to successive colonial administrations. Dalrymple unearths such colourful figures as ‘Hindoo Stuart’, who travelled with his own team of Brahmins to maintain his temple of idols, and Sir David Auchterlony, who took all 13 of his Indian wives out for evening promenades, each on the back of her own elephant.

In ‘White Mughals’, William Dalrymple discovers a world almost entirely unexplored by history, and places at its centre a compelling tale of seduction and betrayal.

The Esterhazys, one of Europe’s most prominent aristocratic families, are indelibly inscribed in the history of the Hapsburg Empire. Having gone through epic conquest, tragedy, triumph and near destruction, the Esterhazy family lore is rich, poignant, entertaining and awe-inspiring. Celestial Harmonies is a national epic in the form of fiction, which Esterhazy writes by reinventing the traditional form of the dynastic saga.

Beginning with short sections narrated in the first person, Celestial Harmonies recounts legends, inventions and episodes that form a mosaic in which chronology is abandoned and only one prominent figure exists: ‘My Father’. The character of ‘My Father’ is a Don Juan, a profligate, a tycoon and a scholar, a bishop, an architect, a madman and a tyrant, an envoy and a premier, a student of Helmholtz and the cat in Schrodinger’s experiment. He stands for each and every family member, functioning as a mount for simply everything, a man as unlimited and inexhaustible as the power born by the book’s fictional family.

Celestial Harmonies is a rich, dazzlingly original exploration of the emotional ties that bind men to their fathers, bonds that stand outside time, place and history. Old world glamour meets harsh post-war reality in a novel that touches on all aspects of life and philosophy relevant to us today – the nature of dictatorship, love, hate and family relationships, to meditations on betrayal, God and Christianity.

Fifteen-year-old Alex Cold, his friend Nadia and his eccentric grandmother Kate embark on a journey to a mysterious, hidden land high in the Himalayas. There they find that the peaceful, spiritual lifestyle of the Forbidden Kingdom, which has remained unchanged for generations, is under threat. ‘The Collector’, a rich westerner, is plotting to steal the Golden Dragon, a valuable statue that can foretell the future?

Full of the imagination and wonder that has made Isabel Allende one of the world’s bestselling authors, ‘The Kingdom of the Golden Dragon’ is an enthralling work of fiction that will delight the thousands of readers who bought and loved ‘City of the Beasts’.

Long haunted by her experiences in Afghanistan, Lamb returned there after last year’s attack on the World Trade Centre to find out what had become of the people and places that had marked her life as a young graduate.This time seeing the land through the eyes of a mother and experienced foreign correspondent, Lamb’s journey brings her in touch with the people no one else is writing about: the abandoned victims of almost a quarter century of war.

‘Of all books about Afghanistan, Christina Lamb’s is the most revealing and rewarding?a personal, perceptive and moving account of bravery in the face of staggering difficulties.’ Anthony Sattin, Sunday Times

‘As an account of how Afghanistan got into its present state, and of the making of the grotesque regime of the Taliban, this book could not possibly be bettered. Brilliant.’ Matthew Leeming, Spectator

‘Lamb’s book combines a love of Afghanistan with a fearless search for the human stories behind the past twenty-three years of war?Her book is not only a necessary education for the Western reader in the political warring that generated the torture, murder and poverty, but also a stirring lament for the country of ruins that was once better known for its poetry and mosques.’ James Hopkin, The Times

In lyrical prose, Pascal Khoo Thwe describes his childhood as a member of the Padaung hill tribe, where ancestor worship and communion with spirits blended with the tribe’s recent conversion to Christianity. In the 1930s, Pascal’s grandfather captured an Italian Jesuit, mistaking him for a giant or a wild beast; the Jesuit in turn converted the tribe. (The Padaung are famous for their ‘giraffe women’ – so-called because their necks are ritually elongated with ornamental copper rings. Pascal’s grandmother had been exhibited in a touring circus in England as a ‘freak’.)

Pascal developed a love of the English language through listening to the BBC World Service, and it was while working as a waiter in Mandalay to pay for his studies that he met the Cambridge don John Casey, who was to prove his saviour. The brutal military regime of Ne Win cracked down on ‘dissidents’ in the late 1980s.

Pascal’s girlfriend was raped and murdered by soldiers, and Pascal took to the jungle with a guerrilla army. How he was eventually rescued with Casey’s help is a dramatic story, which ends with his admission to Cambridge to study his great love, English literature.

At the age of twenty-two, William Dalrymple left his college in Cambridge to travel to the ruins of Kublai Khan’s stately pleasure dome in Xanadu. This is an account of a quest which took him and his companions across the width of Asia, along dusty, forgotten roads, through villages and cities full of unexpected hospitality and wildly improbable escapades, to Coleridge’s Xanadu itself.
At once funny and knowledgeable, In Xanadu is in the finest tradition of British travel writing. Told with an exhilarating blend of eloquence, wit, poetry and delight, it is already established as a classic of its kind.

From the author of the Samuel Johnson prize shortlisted ‘The Return of a King’, this is William Dalrymple’s captivating memoir of a year spent in Delhi, a city watched over and protected by the mischievous invisible djinns. Lodging with the beady-eyed Mrs Puri and encountering an extraordinary array of characters – from elusive eunuchs to the last remnants of the Raj – William Dalrymple comes to know the bewildering city intimately.

He pursues Delhi’s interlacing layers of history along narrow alleys and broad boulevards, brilliantly conveying its intoxicating mix of mysticism and mayhem.

‘City of Djinns’ is an astonishing and sensitive portrait of a city, and confirms William Dalrymple as one of the most compelling explorers of India’s past and present.