It is estimated that more than half of the world’s population communicates in more than one language and over a third of the population in the United Kingdom is multilingual. And yet life in multiple languages is rarely discussed publicly, myths and misconceptions prevail and the pressure to keep heritage languages alive has become a private conflict for millions. Linguistic diversity is more prevalent than ever, but so is linguistic inequality.

Linguist Malwina Gudowska, herself trilingual, sheds light on the ways in which we navigate language, its power to shape and reshape lives, and the ripple effects felt far beyond any one home or any one language. It takes one generation for a family language to be lost. One generation – like mother to child. Mother Tongue Tied explores the emotional weight of raising multilingual children while grappling with your own identity and notions of home. At what cost does a mother save a language? Or does she let it slip away and, with it, a part of herself her children may never know.

In this ground-breaking book, environmental journalist, Peter Schwartzstein, takes the reader on the first on-the-ground exploration of climate change’s contribution to global conflict. From the ravaged villages of Iraq, where ISIS has used drought as a recruiting tool and weapon of terror, to the pirate-ridden waters of Bangladesh – and drawing on more than a decade of reporting from dozens of countries – Schwartzstein writes about the unexpected ways in which climate change is feeding global unrest and conflict. Through the stories of the soldiers, farmers, spies and others affected around the world, he makes sense of a form of conflict that remains poorly understood, even as it devastates the lives of so many millions of people.

While researching this book, Schwartzstein was chased by kidnappers, detained by police and told, in no uncertain terms, that he was no longer welcome in certain countries. Yet, as he recounts, these personal brushes with violence are simply a hint of the conflict simmering in our warming world.

As Schwartztein’s unparalleled reporting shows, there’s nothing inevitable about climate violence. In fact, as he sets out, the same stresses that are pitching people against one another can even help bring them back together.

These are the stories of the female kings: women who risked everything, sometimes unwillingly, to find their place in a man’s world.

Female kings have always been a rarity, an oddity, or an undesirable outcome. In almost all places throughout the world a male ruler was preferred to a woman, with female inheritance vanishingly rare and frequently disputed. In spite of this, women have secured crowns – or fought for them – over several millennia.

From the lush oases of Ancient Egypt to the cherry blossomed lands of Japan, the machinations of the Tudor court to the far reaches of Pacific Island kingdoms, Women Who Ruled the World is an expansive and comprehensive history of female royal power.

Covering five millennia of global history, renowned historian Elizabeth Norton weaves together the stories of women rulers throughout the ages. Establishing beloved and already celebrated figures amongst those who have been left in the margins of history, Norton peels away the layers of time, geography and culture to reveal what it was to be a woman who ruled.

In The New Censorship esteemed academic, former journalist and activist Ayala Panievsky focuses on the unfortunate and unexpected mechanisms through which today’s media has inadvertently amplified the anti-democratic movement that looms over our societies. From the birth of ‘the strategic bias’ to weaponising liberal norms against liberal democracy, the populist right has found a way to exercise a more effective and socially acceptable type of silencing and manipulation. Instead of banning stories, they spread flows of disinformation, which take hours and days to debunk. Instead of silencing, they shout louder. Instead of blue-pencilling, they employ fake users, bots, and outrageous smear campaigns to dominate the conversation. Heavy-handed censorship is unnecessary when one can manipulate people to censor themselves, or simply stop listening.

Based on cutting-edge empirical research, personal experience in newsrooms and parliament corridors and a decade of living under populism in power in Israel, Panievsky will not only explain how we got here but also lay out what we all could (and should) do to restart the conversation and protect our right to know.

Cambridge, USA 2018. Ana and Luis’s relationship is on the rocks, despite their many similarities, including mothers that both fled El Salvador during the war. In her search for answers, Ana uses The Defractor, an experimental device that allows users to peek into alternate versions of their lives. What she sees leads her and Luis on a quest through Havana and San Salvador to uncover the family histories they are desperate to know, eager to learn if what might have been can fix what is.

Havana, Cuba 1978. The Salvadoran war is brewing, and Neto, a young revolutionary with a knack for forging government papers, meets Rafael at a meeting for the People’s Revolutionary Army. The two form an intense and forbidden love, shedding their fake names and revealing themselves to each other inside the covert world of their activism. When their work separates them, they begin to exchange weekly letters, but soon, as the devastating war rages on, forces beyond their control threaten to pull them apart forever.

‘Hotel Lux is an unforgettable book, bringing to life not only its protagonists but an entire world, and offering a new glimpse of a vanished past’ Sally Rooney

‘If affection is the first ground of memory, the archive is its late flowering and Hotel Lux its conservatory, Casey’s history a tender nurture of pasts we overlook, but which whisper to us all the same’ Irish Times

Hotel Lux follows Irish radical May O’Callaghan and her friends, three revolutionary families brought together by their vision for a communist future and their time spent in the Comintern’s Moscow living quarters, the Hotel Lux.

Historian Maurice Casey reveals the connections and disconnections of a group of forgotten communist activists whose lives collided in 1920s Moscow: a brilliant Irish translator, a maverick author, the rebel daughters of an East London Jewish family, and a family of determined German anti-fascists.

The dramatic and interlocking histories of the O’Flahertys, Cohens and Leonhards offer an intimate insight into the legacies of the Russian Revolution from its earliest idealism through to the brutal Stalinist purges and beyond. Hotel Lux uncovers a world of forgotten radicals who saw their hopes and dreams crash against reality yet retained their faith in a beautiful future for all.

Culminating in a queer love story that saw the daughters of the Cohens and Leonhards create an enduring partnership even as their parents’ political visions crumbled, this is a multi-generational rebel odyssey and a history of international communism, one which looks as much to the future as it does to the past.

For nearly twenty years, Michael Shaikh’s job was investigating human rights abuses in conflict zones. Early on, he noticed how war not only changed the lives of victims and their societies, it also unexpectedly changed the way they ate, forcing people to alter their recipes or even stop cooking altogether, threatening the very survival of ancient dishes.

A groundbreaking combination of travel writing, memoir, and cookbook, The Last Sweet Bite uncovers how humanity’s appetite for violence shapes what’s on our plate. Animated by touching personal interviews, original reporting, and extraordinary recipes from modern-day conflict zones across the globe, Shaikh reveals the stories of how genocide, occupation, and civil war can disappear treasured recipes, but also introduces us to the extraordinary yet overlooked home cooks and human rights activists trying to save them. From a sprawling refugee camp in Bangladesh and a brutal civil war in Sri Lanka to the drug wars in the Andes and the enduring effects of America’s westward expansion, Shaikh highlights resilient diasporic communities refusing to let their culinary heritage become another casualty of war.

Much of what we eat today or buy in a market has been shaped by violence; in some form, someone’s history and politics is on the dinner table. The Last Sweet Bite tells us how it got there. Weaving together histories of food, migration, human rights, and recipes, Shaikh shows us how reclaiming lost cuisines is not just a form of resistance and hope but also how cooking can be a strategy for survival during trying times.

Nur and Abid relearn to love after they escape from war. Marie, who keeps the women of the village from giving birth to children borne of war, finds herself in a situation she hasn’t faced before. In a London park, an ageing MI-6 official discovers that the woman he meets every day may not be what she seems. Lyndsey’s bouquets of twenty-seven tulips hold the secret of her dark past and a soldier adorns herself in jewels as she prepares for a final mission.

Spanning both decades and continents, Refuge turns its lens on those who are often overlooked in stories about war: women and children, civilians forced out of their homes in terror, those who wait for their brave soldiers to come home, and soldiers who commit unspeakable violence. this powerful collection simultaneously delves into the darkest parts of the human psyche whilst being an ode to humanity’s ability to endure, love and retain dignity and compassion.

Meet Relebogile Naledi Mpho Moruakgomo. Or, for short, Eddie: an aspiring playwright who dreams of making it big in London’s theatre world. But after repeated rejections from white talent agents, Eddie suspects her non-white sounding name might be the problem.

Enter Hugo Lawrence Smith: good looking, well-connected, charismatic and . . . very white. Stifled by his law degree and looking for a way out of the corporate world, he finds a kindred spirit in Eddie after a chance encounter at a cafe.

Together they devise a plan which will see Eddie’s play on stage and Hugo’s name in lights and expose the theatre world for its racism and hollow clout-chasing. But as their plan spins wildly out of control, Eddie and Hugo find themselves wondering if their reputations, and their friendship, can survive.