‘Wildly, painfully funny’ David Sedaris

‘Unforgettable’ Elizabeth Day

‘The joyfulness of this book is a balm’ Madeline Miller

‘What a joy’ Katie Kitamura

For Arthur Less, life is going surprisingly well: he is a moderately accomplished novelist in a steady relationship with his partner, Freddy Pelu. But nothing lasts: the death of an old lover and a sudden financial crisis has Less running away from his problems yet again as he accepts a series of literary gigs that send him on a zigzagging adventure across the US.

Less roves across the ‘Mild Mild West’, through the South and to his mid-Atlantic birthplace, with an ever-changing posse of writerly characters and his trusty duo – a human-like black pug, Dolly, and a rusty camper van nicknamed Rosina. He grows a handlebar mustache, ditches his signature gray suit, and disguises himself in the bolero-and-cowboy-hat costume of a true ‘Unitedstatesian’… with varying levels of success, as he continues to be mistaken for either a Dutchman, the wrong writer, or, worst of all, a ‘bad gay’.

We cannot, however, escape ourselves – even across deserts, bayous, and coastlines. From his estranged father and strained relationship with Freddy, to the reckoning he experiences in confronting his privilege, Arthur Less must eventually face his personal demons. With all of the irrepressible wit and musicality that made Less a bestselling, Pulitzer Prize-winning, must-read breakout book, Less Is Lost is a profound and joyous novel about the enigma of life, the riddle of love, and the stories we tell along the way.

Grace Makutsi’s husband, Phuti, is in a bind. An international firm is attempting to undercut his prices in the office furniture market. Phuti has always been concerned with quality and comfort, but this new firm seems interested only in profits. To make matters worse, they have a slick new advertising campaign that seems hard to beat. Nonetheless with Mma Ramotswe’s help, Phuti comes up with a campaign that may just do the trick.

Meanwhile, Mma Makutsi is approached by an old friend who has a troubled son. Grace and Phuti agree to lend a hand, but the boy proves difficult to reach, and the situation is more than they can handle on their own. It will require not only all of their patience and dedication, but also the help of Mma Ramotswe and the formidable Mma Potokwani in order to help the child.

Faced with more than her fair share of domestic problems, Mma Makutsi deals with it all with her usual grace. That, along with the kindness, generosity, and good sense that the No. 1 Ladies’ Detective Agency is known for, assure us that in the end, all these matters will be set right.

THE INSTANT SUNDAY TIMES BESTSELLER

THE SECOND THRILLING NOVEL IN VAL MCDERMID’S NEW ALLIE BURNS SERIES

There’s nothing like a killer story . . .

1989. The world is changing, and Allie Burns is still on the front line, covering the stories that count.

Although Allie is no longer an investigative journalist, her instincts are sharper than ever. When she discovers a lead about the exploitation of society’s most vulnerable, Allie is determined to give a voice to those who have been silenced.

As Allie edges closer to exposing the truth, she travels behind the Iron Curtain, to East Berlin on the brink of revolution. The dark heart of the story is more shocking than she ever imagined. And to tell it, Allie must risk her freedom and her life . . .

The latest Allie Burns thriller, set a decade after the bestselling first novel in the ground-breaking, iconic new series.
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Praise for the Allie Burns series

‘McDermid is at her considerable best’ GUARDIAN

‘Irresistible’ PATRICIA CORNWELL

‘A brilliant novel by a supremo of the genre’ PETER JAMES

‘Outstanding’ SPECTATOR

‘Another masterpiece’ DAVID BALDACCI

‘Sensational. One of Britain’s most accomplished writers’ SUNDAY EXPRESS

‘A masterly setter of scene’ SCOTSMAN

In later life Jack and Bobby didn’t get on and barely spoke but the lives of these very different brothers from the coalfield tell the story of late twentieth-century English football: the tensions between flair and industry, between individuality and the collective, between right and left, between middle- and working-classes, between exile and home.

Jack was open, charismatic, selfish and pig-headed; Bobby was guarded, shy, polite and reserved to the point of reclusiveness. They were very different footballers: Jack a gangling central defender who developed a profound tactical intelligence; Bobby an athletic attacking midfielder who disdained systems. They played for clubs who embodied two very different approaches, the familial closeness and tactical cohesion of Leeds on the one hand and the individualistic flair and clashing egos of Manchester United on the other.

Both enjoyed great success as players: Jack won a league, a Cup and two Fairs Cups with Leeds; Bobby won a league title, survived the terrible disaster of the plane crash in Munich, and then at enormous emotional cost, won a Cup and two more league titles before capping it off with the European Cup. Together, for England, they won the World Cup.

Their managerial careers followed predictably diverging paths, Bobby failing at Preston while Jack enjoyed success at Middlesbrough and Sheffield Wednesday before leading Ireland to previously un-imagined heights. Both were financially very successful, but Jack remained staunchly left-wing while Bobby tended to conservatism. In the end, Jack returned to Northumberland; Bobby remained in the North-West.

Two Brothers tells a story of social history as well as two of the most famous football players of their generation.

One hen weekend, seven secrets… but only one worth killing for

Jen’s hen party is going to be out of control…

She’s rented a luxury getaway on its own private island. The helicopter won’t be back for seventy-two hours. They are alone. They think.

As well as Jen, there’s the pop diva and the estranged ex-bandmate, the tennis pro and the fashion guru, the embittered ex-sister-in-law and the mouthy future sister-in-law.

It’s a combustible cocktail, one that takes little time to ignite, and in the midst of the drunken chaos, one of them disappears. Then a message tells them that unless someone confesses her terrible secret to the others, their missing friend will be killed.

Problem is, everybody has a secret. And nobody wants to tell.

PRAISE FOR CHRIS BROOKMYRE

‘Strikingly original and definitively Brookmyre – there’s nothing he can’t do’
Mick Herron

‘I recommend The Cut SO HIGHLY! A fast-paced thriller, lovely characters, [and] it kept me guessing’
Marian Keyes

‘A twisty spiralling rabbit hole of a book that draws you deeper with every chapter. Brilliantly original, compulsively readable, right to the final page’
Ruth Ware

‘Dark, heartfelt, stylish and thrilling, the kind of wonderfully original tale I just adore. Chris Brookmyre is a storytelling mastermind’
Chris Whitaker

‘This is a special novel. A brilliant, original, up-to-the-minute tale with all of the dark, edgy, humorous brilliance we’ve come to expect from one of the finest crime fiction writers in the world’
Abir Mukherjee

Almost two hundred years ago, Abraham, an illiterate urchin, scavenges on a Suffolk beach and dreams of running away to sea… Naomi, a seventeen-year-old seamstress, sits primly in a second class carriage on the train from Sussex to London and imagines a new life in the big city… George, a private soldier of the 50th Regiment of Foot, marries his Irish bride, Annie, in the cathedral in Manchester and together they face married life under arms. Now these people exist only in the bare bones of registers and census lists but they were once real enough. They lived, loved, felt joy and fear, and ultimately died. But who were they? And what indissoluble thread binds them together?

Simon Mawer’s compelling and original novel puts flesh on our ancestors’ bones to bring them to life and give them voice. He has created stories that are gripping and heart-breaking, from the squalor and vitality of Dickensian London to the excitement of seafaring in the last days of sail and the horror of the trenches of the Crimea. There is birth and death; there is love, both open and legal but also hidden and illicit. Yet the thread that connects these disparate figures is something that they cannot have known – the unbreakable bond of family.

The official screenplay of Fantastic Beasts: The Secrets of Dumbledore is the ultimate companion to the film, and invites readers to explore every scene of the complete script penned by J.K. Rowling & Steve Kloves. Special features include behind-the-scenes content and commentary from David Yates, David Heyman, Jude Law, Eddie Redmayne, Colleen Atwood and more.

3,500 years ago ancient Egypt began two centuries in which it became richer and more powerful than any other nation at the time, ruled by the kings of the 18th Dynasty. They presided over a system built on war, oppression, and ruthlessness, pouring Egypt’s wealth into grandiose monuments, temples, and extravagant tombs. Tutankhamun was one of the last of the line and one of the most obscure. Among his predecessors were some of the most notorious and enigmatic figures of all of Egypt’s history. Pharaohs of the Sun is their story, showing how the glamour and gold was tainted by selfishness, ostentation, and the systematic exploitation of Egypt’s people and enemies.

Isabel accepts an invitation to serve on the advisory committee of the Scottish National Portrait Gallery, but soon finds herself swept up in an all-too-familiar dilemma. David is the grandson of a Scottish clan chief and is supportive of Scottish nationalism. But his fervent beliefs are threatening family harmony, especially because his sister Catriona’s socialist views put her at odds with her brother. When their mother, Laura, a fellow committee member, asks Isabel to intervene, she tries to demur. But always one for courteous resolutions to philosophical disagreements, Isabel can’t help but intercede.

In the meantime, Jamie, having criticized Isabel for getting involved in the affairs of others, does precisely that himself. Jamie is helping to select a new cellist for his ensemble, but he suspects that the conductor may be focused on something other than his favored candidate’s cello skills.

With so many factors complicating matters, Isabel and Jamie will have to muster all their tact and charm to ensure that comity is reached between all these fractious parties.