How can a country be captured by rumours, surreal conspiracy theories and the most brazen of conmen? The historian Richard Hofstadter asked these questions in the 1960s, amid fears of rising extremism in America. Yet his dazzling dissection of the paranoid worldview – a brew of overheated exaggeration, suspicion and perceived victimhood that can derail entire nations – is a lesson for the ages in the seductive politics of the irrational.

In an era where we ourselves feel assailed by endless paranoid public statements it is comforting to read Hofstadter’s incisive refusal to see these as something new. In his discussion of famous and obscure untruths, some of which have profoundly impacted American domestic and foreign policy, he provides the antidote for the present day.

‘The Paranoid Style in American Politics’ was first published as an essay in Harper’s Magazine in late 1964 and has been argued over ever since.

‘Trees are not just living things, but feeling beings, like us. Better keep a watchful eye over them…’

Ezo spruce, hinoki, cherry blossoms. Persimmon, maple, cypress. The trees of Japan cast a spell on those who visit its landscape. But as a child, writer Aya Koda realized they were more than objects of beauty. Gifted a sapling by her father, she learned that we depend on trees as much as they do on us – and spent a lifetime trying to understand them.

Mesmerising and poignant, Tree is written in a Japanese genre called zuihitsu which means ‘following the brush’. Here we follow Aya Koda on a journey to discover Japan’s most remarkable trees. As she witnesses landslides and forests of falling ash, she encounters fresh saplings and ancient, ungovernable roots, learning how each tree contains its own unique story.

Now translated into English for the first time, Koda’s work echoes down the generations, reminding us that trees hold a mirror to who we are, and what we leave behind.

Musashino, 1959. A young Japanese flight attendant is found strangled on the icy banks of the river. The police suspect foul play – but the deeper they dig, the more they collide with a wall of silence.

At the centre of it all stands a foreign priest and the Guglielmo Church, a charitable Christian mission. The dead woman’s connection to the church is undeniable. But what begins as a routine investigation quickly turns into something far more treacherous, entangling together narcotics, post-war relief schemes and the delicate web of international diplomacy.

As the story moves from back alleys to diplomatic sanctuaries, following the twists and turns of Detective Fujisawa's investigation, Seicho Matsumoto masterfully constructs a slow-burning procedural where truth is clear but justice is not permitted.

Translated from Japanese by Jesse Kirkwood

'This may be the best translation of The Odyssey yet' Edith Hall, Telegraph, Books of the Year

SHORTLISTED FOR THE ANGLO-HELLENIC LEAGUE RUNCIMAN AWARD 2026

A magnificent, acclaimed new translation of the Odyssey by bestselling author and classicist Daniel Mendelsohn

With his Odyssey, best-selling author and classicist Daniel Mendelsohn has created a momentous new work, hailed by classicists and poets alike – a translation to stand with those of E. V. Rieu and Robert Fagles.

Setting aside the streamlining, modernizing approach of many recent translations, Mendelsohn artfully reproduces the epic’s formal qualities – meter, enjambment, alliteration, assonance – and in so doing restores to Homer’s master work its archaic grandeur. His expansive six-beat line, far closer to the original than that of other recent translations, allows him to capture each of Homer’s verses line for line, without sacrificing the amplitude and shadings of the original.

The result is the richest, most precise, and most musical Odyssey in English, one that fully conveys its oral poetics while bringing to vivid life the gripping adventure, profound human insight and powerful themes that make Homer’s work resonate some twenty-eight centuries after its composition. Supported by an extensive introduction and the fullest notes and commentary currently available, Mendelsohn’s Odyssey is poised to become the authoritative English-language version of this magnificent, endlessly enjoyable masterpiece.

A series of short scenes paints the portrait of a strong-willed and tormented young woman battling many demons, and of the Narrator’s loving and anguished attachment to her. Serre poignantly depicts the bewildering back and forth between hope and despair involved in such a relationship, while playfully calling into question the very form of the novel. Written in the aftermath of the death of the author’s little sister, A Leopard-Skin Hat is both the celebration of a tragically foreshortened life and a valedictory farewell.

Translated from French by Mark Hutchinson.

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biography invites us into the lives of the Caesars more vividly or intimately than that by Gaius Suetonius Tranquillus, written from the centre of Rome and power, in AD 121.

Placing each Caesar in the context of the generations that had gone before, and connecting personality with policy, Suetonius injected flesh and blood into their stories, which continue to inform how we understand the drama of power today. Their shortfalls, foreign policy crises and sex scandals are laid bare; we are shown their tastes, their foibles, their eccentricities; and we sit at their tables and enter their bedrooms, resulting in a series of biographies mediated through the lives of the Caesars themselves.

That Rome lives more vividly in people's imagination than any other ancient empire owes an inordinate amount to Suetonius, and now award-winning author and translator Tom Holland brings us even closer in a new, spellbinding translation. Giving a deeper understanding of the personal lives of the Caesars and of how they inevitably informed what happened across the vast expanse of empire, The Lives of the Caesars is an astonishing, immersive experience of a time and culture at once familiar and utterly alien to our own.

Suspected of murder and labelled a femme fatale, Kumako is hounded by the press, but stays firm, repeatedly proclaiming her own innocence. As pressure from dogged journalists mounts, the tide of public opinion is rising against her. But when a scrupulous defence lawyer takes on her case, doubt begins to creep in . . .

In this intricate, psychological noir, masterfully translated into English for the first time, Seicho Matsumoto draws out the hidden demons that guide our convictions, our biases and our deepest desires.