This landmark biography sheds new light on Boccaccio’s life-his family, friends, and foes, his aspirations, fears, and frustrations-and it shows how he was affected by transformations in Italian society. It also charts the influences that shaped Boccaccio’s understanding of literature: what kinds of stories it could tell and what kinds of characters it could depict; and, perhaps most importantly, what role art could play in a changing world. An insightful portrait of one of literature’s most important figures, this book promises to be the definitive biography of Boccaccio for many years to come.

Is it 4 AM or chicory o’clock? In this short book, botanist and award-winning author Sandra  Knapp walks us through a day in a global garden. Each chapter of Flower Day introduces a single flower during a single hour, highlighting twenty-four different species from around the world.

Beginning at midnight in the Americas, we spot the long tubular flowers of the moonflower, Ipomoea alba; they attract a frenzy of hawk moths before the dawn arrives and the flowers wither and collapse. As day breaks, dandelions and chicory open their heads-actually made up of many individual flowers tightly packed together-and flies and bees visit to get the energy they need to lay eggs and raise their young. Later, at eight o’clock in the morning, the sun rises over the watery Amazon basin, and we meet the giant waterlily, slowly turning from white to pink and purple. Trapped inside are the beetles who feasted on the flowers during the night. That evening, at seven o’clock, we travel to the Caribbean to smell night-blooming jessamine’s powerful-some may say nauseating-sweet scent. But this member of the nightshade family isn’t just a thing of beauty-it has a reputation as both a poison and invasive species, crowding out endangered native trees.  

For each hour in our flower day, celebrated artist Katie Scott has depicted these scenes with gorgeous pen-and-ink illustrations. Working closely together to narrate and illustrate these unique moments in time, Knapp and Scott have created an engaging read that is a perfect way to spend an hour or two-and a true gift for amateur botanists, gardeners, and anyone who wants to stop and appreciate the flowers.

William Kinderman presents Beethoven as a civically engaged thinker faced with severe challenges. The composer lived through many tumultuous events-the French Revolution, the rise and fall of Napoleon Bonaparte, and the Congress of Vienna among them. Previous studies of Beethoven have emphasized the importance of his personal suffering and inner struggles; Kinderman instead establishes that musical tensions in works such as the Eroica, the Appassionata, and his final piano sonata in C minor reflect Beethoven’s attitudes toward the political turbulence of the era. Written for the 250th anniversary of his birth, Beethoven takes stock of the composer’s legacy, showing how his idealism and zeal for resistance have ensured that masterpieces such as the Ninth Symphony continue to inspire activists around the globe. Kinderman considers how the Fifth Symphony helped galvanize resistance to fascism, how the Sixth has energized the environmental movement, and how Beethoven’s civic engagement continues to inspire in politically perilous times. Uncertain times call for ardent responses, and, as Kinderman convincingly affirms, Beethoven’s music is more relevant today than ever before.

Shakespeare lived in a world of absolutes-of claims for the absolute authority of scripture, monarch, and God, and the authority of fathers over wives and children, the old over the young, and the gentle over the baseborn. With the elegance and verve for which he is well known, Stephen Greenblatt, author of the best-selling Will in the World, shows that Shakespeare was strikingly averse to such absolutes and constantly probed the possibility of freedom from them. Again and again, Shakespeare confounds the designs and pretensions of kings, generals, and churchmen. His aversion to absolutes even leads him to probe the exalted and seemingly limitless passions of his lovers.

Greenblatt explores this rich theme by addressing four of Shakespeare’s preoccupations across all the genres in which he worked. He first considers the idea of beauty in Shakespeare’s works, specifically his challenge to the cult of featureless perfection and his interest in distinguishing marks. He then turns to Shakespeare’s interest in murderous hatred, most famously embodied in Shylock but seen also in the character Bernardine in Measure for Measure. Next Greenblatt considers the idea of Shakespearean authority-that is, Shakespeare’s deep sense of the ethical ambiguity of power, including his own. Ultimately, Greenblatt takes up Shakespearean autonomy, in particular the freedom of artists, guided by distinctive forms of perception, to live by their own laws and to claim that their creations are singularly unconstrained.

A book that could only have been written by Stephen Greenblatt, Shakespeare’s Freedom is a wholly original and eloquent meditation by the most acclaimed and influential Shakespearean of our time.