A bedroom dreamer with a headful of Warhol, Adelle Stripe’s formative years were ones of daytime drinking and religious fervour, frustrated mothers and reckless daughters, predacious strangers and punk rock energy. Snapshots of wild abandon and dead-end jobs pepper this evocative tale of metamorphosis alongside a wry clear-eyed account of maternal conflict, compassion and, ultimately, acceptance.

Told through a prism of vintage perfumes, Base Notes is a poetic, poignant and bleakly comic chronicle of one woman’s coming of age in Northern England, an alternative confessional of working-class life in the closing years of the late twentieth century.

Because it was music that saved them, it’s through the prism of their music that Keith Cameron tells the definitive history of Manic Street Preachers, drawing on many hours of new interviews to dive deep into 168 songs, from 1988 debut single ‘Suicide Alley’ to the late day peaks of 2025 album Critical Thinking. Writing with the band’s full co-operation, his book charts the dynamic evolution of a universe in which Karl Marx and Kylie Minogue happily co-exist, that accords Rush and The Clash equal favour, and where Morrissey & Marr meet Torvill & Dean via Nietzsche and New Order in a single four-minute pop song – all in the name of what Nicky Wire himself calls ‘the fabulous disaster’ of Manic Street Preachers.

As a teenager disenchanted with art school in Liverpool, Peter became Budgie and befriended the likes of Jayne Casey, Pete Burns and other luminaries of the legendary Eric’s Club before taking off for London and the big city heat of punk. Budgie’s unique technique and musical sensitivity endeared him to the all-female group The Slits, who asked him to play on their debut album Cut. Subsequent touring with former members of the Sex Pistols and others from the post punk aristocracy firmly established Budgie’s reputation for innovation.

But the beating heart of this at times painfully honest account of a life often sabotaged is, of course, his long-term position as Siouxsie and The Banshees’ drummer and co-writer alongside his ex-wife Siouxsie Sioux. Their creative partnership produced some of the most seductive and celebrated pop music of the decade. Eventually, their personal relationship started to fall apart, with inevitable consequences for both bands. The Absence is bravely unflinching in its dissection of how and why this happened, and powerfully moving in its account of the angels that emerged to heal both these wounds and those of a mother’s lost love.

A man and musician whose creativity and singular style came to define the goth-pop 1980s, Budgie’s life is both fabulously glamorous and a cautionary tale. For the first time the story of the era’s most exalted and mysterious bands has been told by one who survived inside the belly of the beast.

Clay is baked into our culture: we have been taking handfuls of earth and forming them into their own image since our history began. In Clay: A Human History, Jennifer Lucy Allan navigates the story of humankind and our relationship to making and creativity through our relationship with this enigmatic, ancient material.

Born out of a desire to know and understand the spiritual and practical applications of clay in both its micro and macro histories, Clay: A Human History is a hybrid of archaeology, history and lived experience as an amateur potter.

‘I have loved learning from every chapter in this beautiful and affecting book’ VASHTI BUNYAN

For Moon Unit Zappa, daughter of musician Frank Zappa and his ‘manager’, Gail, life has always been utterly extraordinary.

Born into music royalty in 1967, Moon was a child star by age 14. But what are the consequences of growing up famous, in front of the camera and on stage, in a family who spend most of their time naked, practicing white magic in a free-for-all state of nonconformist, hippy abandon?

Earth to Moon is a darkly funny, unflinching exploration of celebrity culture, family relationships and the ghosts of the past: a powerful takedown of the rose-tinted popular myth of the 70s and 80s West Coast scene, from within the belly of the beast of the rock and roll world.

Volcanic Tongue features the best of his reviews, interviews and think pieces, with exclusive in-depth conversations between Keenan and Nick Cave, members of legendary industrial bands Coil and Throbbing Gristle, krautrock legends like Faust, Shirley Collins, the first lady of English folk, Kevin Shields of My Bloody Valentine, German auto-destructives Einstürzende Neubauten, as well as discographical analysis of the back catalogues of groups like Sonic Youth and musicians like John Fahey, extensive writings on free jazz and obsessive in-depth digs into favourites like Pere Ubu, Metal Box-era Public Image Ltd, Sun Ra, guitarist and vocalist John Martyn and many more. It is an essential addition to any music fan’s bookshelf.

This first collection of his legendary criticism functions as an extended love letter to the revolutionary music of the 20th century and the incredible culture that sustained it.

The sheer breadth of pieces here is overwhelming, from early encounters with Brian Eno, Robert Wyatt and Can; to rebels like Britain’s first she-punks, The Raincoats and The Slits; covering British groups like the Sex Pistols, The Clash and Aswad; America’s Public Enemy, Curtis Mayfield and George Clinton; and Jamaica’s Lee ‘Scratch’ Perry and Dennis Brown. They rub up against contemporary profiles of New York’s downtown royalty (Patti Smith, Talking Heads, Richard Hell), alongside legendary interviews with Vivien’s friends Fela Kuti, Ornette Coleman and Bob Marley, who reigns over this collection like a benign and timeless deity.

Vivien single-handedly changed the course of music writing and this collection reshapes some of her major pieces into a new narrative of the principal radical artists of the late twentieth century, in the process reaffirming that her reputation as ‘The Punk Professor’ will live on.

The untold history of Factory Records is one of women’s work at nearly every turn: recording music, playing live gigs, running the label behind the scenes, managing and promoting bands, designing record sleeves, making films and music videos, pioneering sound technology, DJing, and running one of the most chaotic clubs on the planet, The Haçienda.

Told entirely in their voices and featuring contributions from Gillian Gilbert, Gina Birch, Cath Carroll, Penny Henry and over fifty more interviewees, I THOUGHT I HEARD YOU SPEAK is an oral history that reveals the true cultural reach of the label and its staying power in the twenty-first century.

In Thank You, his much-anticipated memoir, he’s finally ready to share his story – a story that many thought he’d never have the chance to tell. Written with Ben Greenman, who has written memoirs with George Clinton and Brian Wilson among others, Thank You will include a foreword by Questlove. The book was created in collaboration with Sly Stone’s manager Arlene Hirschkowitz.

“For as long as I can remember folks have been asking me to tell my story,” says Stone. “I wasn’t ready. I had to be in a new frame of mind to become Sylvester Stewart again to tell the true story of Sly Stone. It’s been a wild ride and hopefully my fans enjoy it too.”